Michael W. Moss | michaelwmoss.com
Writer, maker, and designer. Writer of fantasy, cyberpunk, science fiction, steampunk, horror, and hardboiled noir fiction. Typeface/font designer. Maker of 3D printed, laser cut, and microelectronics projects. Friend of cats and crows.
The same amount of fiddling, accompanied with the uncertainty of the success or practicality of the mod, could be spent assembling a new printer and then printing and assembling new mods for the new printer that aren’t as essential or structural. The appeal just depends on how much focus and patience you have.
Yeah, that makes sense for your frustration. I get stabbed under my fingernails trying to take PETG remnants off the textured beds. I typically just deal with it because the solutions I’ve found are more time-consuming, but I guess it might depend on how much.
I’ve had people suggest heating the bed as high as it will go. PETG’s glass transition temperature is usually less than 90° C. I’ve seen some people print over bits to try to merge them to make them pull up easier, but that just seems like a waste of material to me. I generally don’t care for solutions that involve applying liquids or gels to the bed.
What material and what kind of plate? PEI textured plate or smooth plate? PLA, PETG, something else?
Not what you’re asking for, but I’d recommend using a laser cutter with a sheet of acrylic if you can get access to one since you’ll get a better quality stencil than 3D printing one. A vinyl cutter like a Cricut or Silhouette machine might also be able to do a better job of it on something like chipboard if you don’t have access to a laser cutter.
My natural inclination would be to make the body in a single color filament and then use a stencil to paint on the logos. It would print a lot easier and look more natural and authentic. The logos were painted on the planes historically. And if you use stencils to paint them on, the logos could be customized for individual prints.
To do process of elimination, I’d recommend trying a different brand of filament and a different type of filament (i.e. PLA), preferably freshly opened rolls. I’d also generally be wary of AliExpress, but that’s just been my experience of seeing multiple people be disappointed with what they get. If you’re looking for discounts on filament, there are a bunch of Black Friday deals going on right now.
That testing will at least tell you if it’s the brand or the type of filament that’s causing the issue. If you eliminate those by seeing no change, then you know it’s the printer itself and can start troubleshooting that next.
It looks like you’re printing it with the right side of the model in the picture angled down from the left, so you’re getting more layers to the left, which is giving you some unfortunate border and infill lines. Is it possible to print this all flat so it’s one smooth layer? If it’s the top layer, you might play with ironing as well. It’s hard to tell without seeing the whole model in context though.
When wanting more weight, but not wanting to add anything extra to the print, I use modifiers in Prusaslicer to add an internal shape that I set to 100% infill in contrast to the rest of the print. So if I want a weighted bottom to prevent a printed object from tipping over, just throw the modifier in with 100% infill at the bottom of the model before printing. 
It’s especially nice to eliminate machine issues so you know that subsequent print issues are due to modeling problems or orientation while slicing or something else.
That one depends on the job. Some managers will love to exploit your inclination to hyper focus on solving problems and following the rules. They won’t ask you to work unpaid after hours but if you want to they won’t protest… Doing a third of the work for a team of six people? That’s great, but your next performance review will include the criticism that you’re not as social as your coworkers because you’re too busy doing the job.
The fragments can be a stylistic choice. Ultimately all writing “rules” are arbitrary and often decided by consensus, often based on “what we’ve always done” as much as based on a specific reason for better communication or possibly a reason that is moot now. It’s good to know what your potential readers are likely to prefer and it’s good to know what an editor or agent will want if you’re hoping to get published in a traditional manner.
That being said, I’m a fan of breaking “rules” when you have a good reason to and know why you’re doing it. If the narrative is reflecting the fragmented thoughts of a character, fragments might thematically work really well.
That said there are also ways of rephrasing the fragments to make them flow better. Some readers might find them abrupt because they’re looking for the noun and the verb with some kind of active action.
For the heavy chain, some readers won’t think of it as a grade or gauge of chains. Sometimes technically accurate isn’t better than stylistically smooth. But it isn’t a significant difference, so definitely keep it if you like it. You should write for yourself first of all.
I liked it in general. It was an interesting glimpse into a world where there are implications of greater detail I’d be curious to know more about, such as how the main character’s age and knowledge of magic works. Some of the characters are necessarily one dimensional in such a short peic of writing. Scared and concerned victims of witch trials and puritanical patriarchal male authoritarians is what I’d expect because that’s what’s been depicted before, in the Crucible, in the Sleepy Hollow movie, and other fictional depictions.
If you share a Google doc link instead of a PDF, people can make comments in the document itself, so it’s easier to provide direct feedback to specific text.
You have some tense issues. “Behind him, sat a woman.” (past tense) then “…she stares down…” (present tense).
Some of the sentences are incomplete sentences. “Her posture, in direct contrast to that of the Good Reverend.”
“A red mark wraps around her neck, and a heavy chains secure her delicate wrists.” Wraps is odd as an active verb unless the mark is appearing in the moment. Usually an inanimate thing is wrapped around rather than wraps. I’d suggest something like “stretches around.” “Heavy” is redundant with chains. Chains are rarely light. “a heavy chains” has an agreement problem. A is singular, chains is plural.
“and the Reverend’s clearly dire distress,” It hasn’t seemed like he’s in dire distress prior to this descriptor. Earlier he was described as having a “posture proud with authority…” “full of fire and fury, but steady and deliberate.”
Some of the narration seems to be Colette’s internal monologue and should probably be in italics to distinguish it from just third person omniscient narration.
For example: “This poor girl has not a speck of magic in her – And the vegetables from Reinette’s garden aside, neither does anyone else within a thousand kilometers.”
But then the next paragraph mentions Colette in the third person again.
You can get a new Sovol SV06 for less than $200. That worked very well out of the box compared to my older Ender 3. Prusaslicer also has a good profile for it. I don’t care for Cura slicer as much. Enders are of an older generation of printers that I will personally avoid just because of the legacy of having to tinker with them just to get them to work. The opposite end is the Bambu where “it just works” except it doesn’t always and it’s not as easy to fix and it doesn’t play well with third parties. Sovol is a good starter printer that I’d had even better bed adhesion with over Prusa MK4Ss at work.
There are too many to mention since there’s so much out there.
You can go to a font website like dafont and perform a search for a font or browse different themes/styles and specify in the results that you want Public domain / GPL / OFL fonts.
Almost all of my fonts are released under an attribution license, so they’re free for commercial use and remixing.
It’s not new, but the current hot trend is for companies to outsource their costs as much as possible but pretend they’re providing “creators” with a service. Gig economy jobs, social media jobs, Etsy stores, etc. all involve “employees” who can’t call themselves employees for the purposes of insurance or full time hours or salaries taking on the equipment and material costs and labor costs in hopes that the company will pay out more than they invest. It’s the new MLM Avon calling, Tupperware party, essential oils scam. It’s not to say that some people won’t beat the house some of the time and make a decent living, but the odds aren’t in your favor and the house is still making a bunch off of you even when you are being “successful.”
My old SV06 at home often had better bed adhesion than the same prints on a Prusa MK4S at work. The SV07 Plus had the bigger bed I wanted, but it didn’t print as well as the 6. Lots of large failed prints and layer quality issues.
But now you have the next adventure opportunity: 3D printing quality of life upgrades for the printer!
I recommend looking into the ball bearing spool holder, the skadis organization mods for the left side alcove, purge bin, filament guide, vent handle, and more. Printables has a whole bunch of useful options.
A pattern I’ve noticed isn’t the legal aspect, but rather the monetization. Everyone is offering a platform where an obscure writer can pay to give away their writing for free or pay for an ad campaign where you’re spending more on ads than you will otherwise make off your work. One of the significant advantages for writing is that it requires very little overhead versus another activity like making physical objects that require equipment and material. But the market is saturated and publishing platforms are harder to access unless you’re a guaranteed seller who is already somewhat famous or has a built-in following. And there’s always someone out there willing to “help” by taking your money for the promise of connections and exposure.
It reminds me of the old poetry contest scams where you submit a poem, they tell every poet that they’ve “won” and will be published, and then they offer a “discount” for poets published in the book to get print copies for you and your friends and family, but the book is only advertised to the poets.
It does seem like there should be more open and free resources for this—websites where authors and readers connect without barriers or monetization. There probably are, but they don’t show up high in search results. Obviously they’re not going to be seen before all the paid options with ad funding.
About 18 years ago when I was a dispatcher, I had someone call 911 to report their drug dealer stole their laptop because they couldn’t afford to pay for the drugs they wanted to purchase. I asked them a few times if they would like to file a police report that states that they intentionally purchased illegal drugs. They didn’t seem to understand the angle of the question and we asked them to stay where they were so a deputy could go out and take a statement.
Bed adhesion is usually the biggest issue, often attributable to the z height being off, and a lot of older printers didn’t have z-axis sensors or the software to accommodate for the variances, so it involved the old paper test. Depending on the printer, it might shake itself out of its z height setting while printing. A lot of people ended up spending as much as the cost of their printer upgrading with after market parts to try to resolve some of these issues.
I haven’t used the Monoprice before, but my research says that Monoprice doesn’t make their own printers. They just rebrand someone else’s. So the Monoprice Maker Select appears to be a rebranded Wanhao Duplicator i3, which looks like it came out sometime in 2016. So while you might have bought it six years ago, the actual printer design is much older and missing out on possibly 9 years worth of innovations.
If you can eventually afford to replace it with something else, there are some sub-$400 printers out now that might give you a much nicer experience. I started with an Ender 3 v2, which was a pain, similar to what you experienced. I upgraded to a Sovol SV06, which was great (and recommended to me by a professional with a print farm and wide variety of printers). Now I’m on a Prusa CORE One, but I don’t recommend spending big until you know you’re really into 3D printing. If you do consider buying a newer printer at some point, I’d recommend seeing if you can see someone else’s in action so you can experience the difference. Makerspaces might be a good resource for this.
Definitely consider if you’ll use it enough to justify the purchase, but buying a new one and spending the effort that you would have used trying to mod the old one could be better used on the new machine getting functional prints and advancing your skills.